March 2018

Last year I was involved in sound design for PLATFORM 2017, a set of performances curated by Tess de Quincey and Linda Luke that played out in sequence through multiple areas of Articulate Project Space, Sydney on July 15 and 16. This marked my second year of involvement with PLATFORM, as I previously contributed sound to the 2016 iteration (which was performed in the more conventional black box theatre space of the KXT bAKEHOUSE in King's Cross). Organised and produced by De Quincey Co, PLATFORM is like a group show of performance art works, except that the discrete performances by the

Near the end of January Soothsayer released this track from my Dro Carey project, a dance/R&B song created in collaboration with artists Taliwhoah and Genesis Owusu. I'm pleased to say it's been getting a great amount of support from Triple J here in Australia, appearing as a Spot Add on its week of release and being bumped up to full rotation yesterday, close to 6 weeks later. I know not everyone keenly follows the Triple J adds - but basically to summarise - the timing of those two things is kind of exciting, because it shows that there is a