February 2019

This is the first of two posts about my involvement with the Sydney Opera House 'Remix The House' project, spanning 2015-17. Remix The House first came about as a sound project that tied into Vivid Sydney in 2014, with George Nicholas of Seekae visiting the SOH and making field recordings throughout the varied spaces of the House, and then editing these recordings into a set of samples. The samples were then given to a selection of artists (who were performing on Vivid lineups) to construct into pieces of electronic music. This process began anew near the end of 2015 and I